This chapter
Characters 49
Places 98
The created being awakens after an unknown origin and initially struggles to distinguish sensations as it wanders and survives in the cold near Ingolstadt, learning to find shade, food, and especially to make and manage fire. After enduring hunger and snow, it shelters in a low hovel near a cottage, observes a family living there—an old man, a young man, and a young girl—and is moved by their music, tenderness, and daily routines.

On stage

the creature Wanders, survives, finds a cloak, learns to observe nature, discovers and maintains fire, seeks shelter, and watches a nearby cottage family through a small opening.
De Lacey Lives in the cottage with the others, plays music in the morning and evening, and eats with the young man and young girl.
Felix Supplies and prepares household needs (pail/food, wood, garden work) and reads aloud to the others at night.
Agatha Performs daily household work, interacts tenderly with the old man during the music, and helps sustain the cottage routine.

Mentioned

Victor Not present in the events described; the chapter’s first-person voice is the creature’s account.

Settings

the forest near Ingolstadt A wooded area near Ingolstadt where the creature seeks shade, lies by a brook, eats berries, and experiences repeated day-night changes; described as dark, cold, and later familiar enough for it to distinguish objects.
a brook A clear stream providing drink within the forest; it supplies the creature with water.
the open country A snowy expanse beyond the forest, with uniform white fields after a snowfall, disconsolate and cold.
a small hut (shepherd’s hut) A shelter on rising ground built for a shepherd; has an open door, contains straw and a fire, and offers relative safety from snow and rain.
a village A settlement of huts, cottages, and stately houses whose gardens and windows display milk and cheese; later depicted as hostile toward the creature.
the hovel A sparse, bare wooden refuge adjacent to a cottage, very low so the creature can barely sit upright; dry floor though wind enters through chinks.
a cottage (near the hovel) A neat, pleasant cottage adjacent to the creature’s hovel, with a sty/pool arrangement on exposed sides and windows later partly filled with wood, leaving a small chink for observation.
Pandæmonium (as comparison) A metaphorical reference used to compare the cottage’s shelter to scenes from hell; not a literal location in the events.
Main 8

Victor

Also known as: Frankenstein, M. Frankenstein

Man consumed by moral guilt and dread from his experiments and abandonment of his created being. Still believes the created being threatens him directly. Attached to Elizabeth as cousin and intended spouse; tormented by memory and an impending cycle of murders.

Beaufort friend-of-family via fatherCaroline Beaufort motherhis father fatherElizabeth Lavenza more than sister / cousin-like bondAlphonse Frankenstein child/son +15 more

Alphonse Frankenstein

Also known as: the narrator’s father, the father, his father

A Genevese public figure valued for integrity and patient attention to public duties; morally guided by justice in love. Family protector who expects correspondence and cares deeply about his children’s wellbeing. Health is shaken by recent tragedies, and he attempts gentle reasoning to restore Victor’s fortitude.

Beaufort intimate friendCaroline Beaufort husbandElizabeth Lavenza guardian/household headVictor father/parentHenry Clerval father of a friend; conflicts with Clerval’s desire to study +3 more

Elizabeth Lavenza

Also known as: the narrator’s cousin, Elizabeth, the narrator’s Elizabeth

Gentle, compassionate, morally steady orphan connected to Victor as cousin and intended spouse; capable of noticing Victor’s changes and responding with concern. Provides a moral anchor and embodies the best hope for Victor’s happiness and domestic stability.

the peasant woman foster child (charge)the peasant man foster child (charge)the village priest consulted authority regarding her careCaroline Beaufort rescued/placed under careAlphonse Frankenstein adopted into household / cared for +6 more

Henry Clerval

Also known as: Clerval

Young man from Geneva devoted friend to Victor; talented, fanciful, morally oriented ambition; in this period associated with travel with Victor and empathy.

Victor closest childhood friendElizabeth Lavenza friend/companion; Elizabeth influences his moral directionClerval’s father son/parent relationship; father restricts his educationCaroline Beaufort family acquaintance during farewell eveningAlphonse Frankenstein relative of his friend; his father’s approval/disapproval concerns education +4 more

the creature

Also known as: the wretch, the filthy dæmon, fiend, filthy dæmon, the fiend, the creature/fiend as daemon (as feared), the dæmon, the murderer, the daemon, fiendish monster, dæmon, miserable wretch (Victorian whisper), gigantic monster, monster

Physically deformed created being, socially shunned; self-aware and emotionally intense, driven by revenge and later by remorse/self-condemnation. Described as eloquent, intelligent, and capable of deep feeling.

Victor created by; tormenting presence in the narrator’s mindWilliam murdererJustine Moritz believed to be responsible for the murders that lead to her death (via accusations and Victor’s understanding)De Lacey knows/observes as the blind father of the householdAgatha knows/observes as sister figure +3 more

De Lacey

Also known as: De Lacey’s (as old man)

An aged cottager living near a cottage, with silver hair and a benevolent, loving countenance. Plays an instrument that produces mournful, sweet sounds; emotionally steady and caring toward the young girl.

Agatha protective/affectionate companionFelix companionthe creature elderly household member observed byVictor initially offers brotherly help; later sees him as a threat upon discovery

Felix

A younger cottager associated with the old man and the young girl; melancholic in countenance and emotionally sad yet diligent. Works outside (digging, pulling up roots) and brings wood; later reads aloud to the household at night.

De Lacey companion/household memberAgatha close companion/household partnerthe creature household member observed byVictor protective enmity/violent rejection

Agatha

A young cottager of gentle demeanour, patient yet sad, meanly dressed. Tends to household tasks, carries a pail of milk, looks after food and plants, and sobs when moved by the old man’s music.

De Lacey affectionate devotionFelix close companion/household partnerthe creature household member observed byVictor reaction of horror; indirectly treated as an intruder/threat
Secondary 9

Caroline Beaufort

Daughter of the merchant Beaufort; courageous and capable, able to sustain herself through plain work. Serves as the narrator’s mother in the story’s established context; emotionally significant to the narrator as someone associated with grief and memories.

Beaufort fatherAlphonse Frankenstein later husband/wife relationshipElizabeth Lavenza rescuer/benefactorCaroline Beaufort same person as narrator’s motherVictor mother/parent

the man of great research in natural philosophy

Knowledgeable scientific visitor/accompanying figure associated with demonstrations of electricity and galvanism during the family’s time near Belrive.

Victor teacher/expounder figure (indirect instruction)

M. Krempe

Professor of natural philosophy in Ingolstadt; uncouth and gruff with repulsive manners, though capable of sound sense; believes in scientific secrets and self-importance.

Victor professor/student relationshipHenry Clerval professor addressing him directly as ‘M. Clerval’M. Waldman colleague faculty member

M. Waldman

Fellow professor in Ingolstadt, around fifty; dignified in lecture, kind and mild in private; frames instruction with frankness and good nature.

Victor professor/mentor relationshipM. Krempe colleagues; alternates lectures with himHenry Clerval professor interacting with student circle

the porter

An unnamed household servant associated with finding incriminating evidence (the picture/miniature) in Justine’s pocket and reporting it for further proceedings.

Victor serves him in access to the courtyard/gatesJustine Moritz household relationship (observes/handles clothing)magistrate reports toElizabeth Lavenza indirect via identification of the picture

Justine Moritz

Also known as: Justine

A former household servant connected to the Frankenstein family; kind and frank-hearted with outward composure before trial escalates. Previously accused of killing William and executed after her conviction; later admits confession under coercion while insisting on innocence (as discussed by Elizabeth).

Elizabeth Lavenza beloved domestic attendant/affectionate household bondMadame Moritz daughterVictor appears in Victor’s earlier memory as a favourite figurethe narrator’s aunt reminiscence model; resembles her in mien and expressionAlphonse Frankenstein household servant +2 more

Ernest

Sixteen-year-old boy in Elizabeth’s family; spirited, active, wants to be true Swiss and enter foreign service; tends to be outdoorsy and less drawn to study; grieving William’s death and later involved in family discussions about the trial.

Elizabeth Lavenza son/childthe narrator’s uncle relative/household authority mentioned as not pleased about his military careerWilliam brotherVictor brotherthe creature possible intended victim

magistrate

Local judicial authority involved in the proceedings; judges are later described as having settled conviction even after Elizabeth’s appeal.

Justine Moritz charges/arrestsVictor speaks via an officer who delivers verdict detailsthe creature target of proposed apprehension

the officer

An official who communicates the ballot verdict and the claim that Justine has already confessed; interacts with Victor/I after the court session.

Victor official interactionJustine Moritz reports verdict and confession status
Mentioned 32
Beaufort Was sought out by the narrator’s father after hiding for ten months; dies after months of sickness left Beaufort with few funds.
the peasant woman Communicates Elizabeth Lavenza’s history to the narrator’s mother during the visit.
the peasant man Distributes a scanty meal to hungry children in his cottage; is present as part of the household during the narrator’s mother’s visit.
the village priest Is consulted by the narrator’s parents’ household regarding taking Elizabeth into their home; their consultation results in Elizabeth becoming an inmate of the parents’ house.
Caroline Beaufort’s relation Receives Caroline under protection after Beaufort’s death.
Cornelius Agrippa Works serve as the catalyst for the narrator’s initial enthusiasm for obscure theories and later contribute to his subsequent discontent and change of direction.
Paracelsus Provides further reading that occupies the narrator’s fascination with exploded systems and the “elixir of life” pursuit.
Albertus Magnus Adds to the narrator’s early study of contradictory, discarded systems that later lose value to him.
Sir Isaac Newton Serves as an illustrative comparison for the narrator’s sense of knowledge limits and dissatisfaction.
the guardian angel of my life Narrator attributes his change of inclination and will to this protective influence, framed as an attempt to avert impending destruction.
Destiny Referenced conceptually as an ‘influence’ and as ‘fate’ connected with the lecture sequence that ‘destroyed’ the narrator’s previous resistance to science.
Clerval’s father Unseen figure who prevents Clerval from accompanying the narrator by refusing permission.
the Angel of Destruction Characterized as the cause-like influence accompanying the narrator from his father’s door and leading to his first encounter with M. Krempe.
M. Krempe’s list of books (implied) Requested and provided as a study prescription by the professor.
Cornelius Agrippa’s list of books (implied) Not applicable to this chapter’s events.
the narrator’s cousin Is implied as the source of a letter waiting for the narrator.
Madame Moritz Mentioned in Elizabeth’s letter as the cause of Justine’s departure from their house and later Justine’s return.
M. Moritz Referenced as deceased before the family’s subsequent treatment of Justine.
M. Duvillard Mentioned in Elizabeth’s social gossip as Manon Mansfield’s husband.
John Melbourne Mentioned as the Englishman Miss Mansfield is about to marry.
Miss Mansfield Mentioned in Elizabeth’s letter as receiving visits for her impending marriage.
Manon Mentioned as having married banker M. Duvillard last autumn.
Louis Manoir Mentioned as having recovered and being reported near marriage to a French widow.
Madame Tavernier Referenced as the person Justine nursed previously, supporting character testimony.
Justine Moritz’s brothers and sister Mentioned as having died one by one, prompting Madame Moritz’s guilt.
William Mentioned in Elizabeth’s letter as one of her household’s ‘little darling’ children and described alongside his interaction with Louisa Biron.
Louisa Biron Mentioned as William’s favourite among his ‘wives’ (play companions).
the narrator’s uncle Mentioned as the one restrained from visiting Ingolstadt and as objecting to Ernest’s foreign service plan.
the narrator’s aunt Referenced as the deceased benefactress of Justine and as the model Elizabeth’s Justine now resembles.
the confessor of Justine (unnamed) Mentions threats and coercion prompting Justine to confess a lie.
the market-woman Referenced as the person who questioned Justine during the night and whose perception contributed to suspicion.
Arve Referenced as the rushing river and surrounding terrain near the Alps.
Main 43

Geneva

The city context where leaving the residence after gates close at ten o’clock proves irksome to Victor; includes the contrast between residence within walls and freer lake access.

  • Narrator’s father takes Caroline to Geneva after Beaufort’s interment.
  • Caroline is placed under the protection of a relation in Geneva.
  • Parents own a house in Geneva; narrator describes avoiding crowds and attaching to a few friends there.
  • Geneva school routine is mentioned as part of his education.
  • The narrator’s education in local schools is referenced as completed before age seventeen.
  • The narrator does not visit Geneva for two years while absorbed in discovery.
  • His father’s letters from Geneva enquire about his occupations and address his silence.
  • Elizabeth’s letter dated in Geneva describes household changes and gossip.
  • Victor’s convalescence prompts correspondence to family in Geneva.
  • Victor arrives in the environs of Geneva as night closes around; gates are shut.
  • Victor’s father’s house is where Victor enters at dawn.
  • Justine returns around eight o’clock to the house in Geneva.
  • She cannot search freely when the gates are shut.
  • The trial and visits occur in connection with Geneva’s judicial institutions.
  • Gates closing at ten o’clock shapes Victor’s dissatisfaction with staying in Geneva.
  • Victor feels temporarily freer after retreat to Belrive.
  • Victor returns home at once, enters the house, and is met with alarm.
  • Victor returns to Geneva and struggles to recommence his work.
  • Victor’s father speaks with him there about marriage and the cause of his unhappiness.
  • Victor’s father reassures Victor that Elizabeth and Ernest are safe there.
  • Victor decides that returning to Geneva is his remaining duty after release.
  • Victor and his father return to Geneva.
  • Elizabeth welcomes Victor in Geneva with compassion and tears.
  • A marriage ceremony is performed in Geneva.
  • The couple depart by water for their first days of happiness.
  • Victor arrives
  • his father dies of grief
  • Victor later is imprisoned and then released
  • Victor decides to quit Geneva for ever.
  • Victor wanders the confines of town seeking a clue.
  • Victor enters the cemetery at night and swears vengeance at the tombs of William, Elizabeth, and his father.

Italy

A country-region of travel described as a restorative for Caroline’s weakened frame after marriage; includes tours through a land of wonders and stops in parts of Italy.

  • Immediately after their union, the parents seek the pleasant climate of Italy.
  • From Italy they visit Germany and France.

Germany

A country visited by the parents on travel after Italy.

  • The parents visit Germany.
  • De Lacey and Agatha end up confined as exiles and find a miserable asylum in a cottage in Germany

France

A country visited by the parents on travel after Italy.

  • The parents visit France.
  • Felix conducts the fugitives through France toward Lyons

Lake of Como

A lake whose shores are visited during an excursion beyond the frontiers of Italy; a setting for visiting cottages of the poor.

  • Parents spend a week on the shores of the Lake of Como.
  • Narrator’s mother and narrator visit a poor cottage in a vale/foldings near the lake.

Milan

A city near which the narrator’s father goes by himself; the poor cottage is visited after that. Also referenced as the origin of Elizabeth’s noble lineage.

  • The narrator’s mother visits the poor abode when the father has gone by himself to Milan.
  • Elizabeth is described as the daughter of a Milanese nobleman.

our villa (parents’ villa hall)

The narrator’s family residence; includes a hall where Elizabeth is found playing with him and where she is integrated into family life.

  • Father returns and finds Elizabeth playing with the narrator in the hall of their villa.
  • Elizabeth becomes the inmate of the parents’ house and companion of their occupations and pleasures.

a poor cot in the foldings of a vale

A singularly disconsolate poor cottage setting associated with penury and five hungry babes.

  • Narrator’s mother notices the cot during a walk with the narrator.
  • She finds a peasant couple distributing a scanty meal to five hungry babes.

Belrive (eastern shore of the lake)

A campagne on the eastern shore of the lake near Geneva; described as the main residence in seclusion and later the location near which the family witnesses a storm and seeks scientific interest.

  • Family resettles to a house near Belrive after the birth of the second son.
  • Thunderstorm occurs while they are retired to their house near Belrive.

the lake near Geneva

A placid lake landscape viewed from the road and from which Victor crosses by boat to reach Plainpalais; associated with storm reflections.

  • Belrive is identified as being across the lake’s eastern shore from Geneva.
  • Victor contemplates calm waters at Lausanne and later travels by road along its side toward Geneva.
  • Victor crosses the lake in a boat during the storm to arrive at Plainpalais.

Jura

A mountain range behind which the storm advances.

  • Thunderstorm advances from behind the mountains of Jura.
  • Observed from the lake as they coasts opposite banks.

the old and beautiful oak

An oak tree near the family’s house, struck by lightning; later found destroyed in a peculiar way.

  • Lightning turns a stream of fire into the oak; the tree disappears, leaving only a blasted stump.
  • Next morning, the tree is found shattered into thin ribbons of wood.

Ingolstadt

University town in which Victor and Henry study; associated with their professors M. Waldman and M. Krempe and the college residence.

  • The narrator’s arrival and lodging in a solitary apartment.
  • He visits principal professors and attends lectures.
  • He decides his future destiny after the day’s encounters.
  • The narrator studies natural philosophy and chemistry there for about two years.
  • Professors Krempe and Waldman are involved through lectures and instruction.
  • The narrator makes chemical discoveries and gains esteem at the university.
  • The narrator walks through streets in fear through rain and cold
  • Henry Clerval arrives via a Swiss diligence stopping on a street near an inn
  • The church in Ingolstadt is visible in the morning light/clock strikes sixth hour
  • Victor introduces Clerval to the university professors.
  • Walking tour occurs in the environs of Ingolstadt.
  • Victor expects a letter fixing his departure date from Ingolstadt.

University of Ingolstadt

Institution where professors Waldman and Krempe lecture and interact with students.

  • The narrator’s planned enrollment drives the travel timeline.
  • Students are astonished by the narrator’s ardour and skill.
  • Professors Krempe and Waldman respond to the narrator’s progress.
  • Victor is introduced to the professors.
  • Victor experiences distress during praise and discussion.

M. Krempe’s lecture context / professorial setting

The academic space in which Krempe questions the narrator and later lectures.

  • The narrator delivers letters of introduction and visits principal professors.
  • Krempe asks questions about the narrator’s science background and dismisses his alchemists.

the laboratory and its machines

The narrator’s laboratory workspace at Ingolstadt containing instruments and machines used for chemical work and experimentation.

  • The narrator works obsessively until morning light disappears the stars.
  • Later, he uses his refined capabilities as a foundation for his subsequent creation project.

Belrive

A residence near Geneva within regular gated boundaries; described as within the walls of Geneva after gates close at ten o’clock. Victor’s household retreats there to be inside the grounds, making lake access impossible after a set hour.

  • Victor and the family retire there for mourning after Justine’s death.
  • Victor uses boat trips on the lake when family sleeps.
  • Victor’s house becomes a house of mourning, with Elizabeth despondent and less engaged in ordinary occupations.

a solitary chamber / cell at the top of the house

A secluded workshop space separated from other apartments by a gallery and staircase; where the narrator keeps his creation workshop.

  • The narrator conducts clandestine construction work there.
  • He gathers and arranges materials and attends to the detailed parts of his created being.

the narrator’s apartment / room

The narrator’s lodging/workroom where he assembled instruments of life and created the being; features rain against panes and near-burning candle light.

  • The narrator infuses life into an inanimate body
  • He observes the creature’s eyes open and flees in horror
  • He later returns and finds the apartment empty after the creature has fled

the courtyard belonging to the house

A courtyard at the narrator’s lodging used as refuge during the rest of the night while the narrator paces in agitation and listens for sounds.

  • The narrator takes refuge after fleeing the room
  • He walks up and down, fearing the creature’s approach

the inn

A lodging/stop in the streets where diligences and carriages usually stop; located near where the Swiss diligence appears.

  • The narrator pauses opposite the inn when he notices the incoming coach
  • Victor is conducted by the magistrate and several persons to the inn after Kirwin’s instruction.
  • Victor inspects corners and passages expecting the enemy
  • Elizabeth retires to a room and later screams
  • people of the inn gather around Elizabeth’s body
  • Victor searches and then later later tries to arrange departure

the street outside the house

The rainy street in Ingolstadt where the narrator paces in fear and where the Swiss diligence stops.

  • The narrator flees downstairs and later walks the streets all night/into morning
  • Henry meets the narrator near the Swiss diligence stopping point

the college

Their residence/college where they return on a Sunday afternoon.

  • Victor and Henry return after the perambulations.
  • Peasants are dancing as they meet them on the way.

Plainpalais

A district near Geneva where William and Ernest go walking; later the murder site is approached by Victor via boat and where storm figures and the creature are observed.

  • William and Ernest are last seen going ahead during a walk with Elizabeth and Victor’s father’s party.
  • William’s body is found stretched on the grass early in the morning with a murder’s finger print on his neck (as relayed).
  • Victor crosses the lake by boat to reach Plainpalais in order to visit the spot of William’s murder and encounters the storm and the creature.

Mont Blanc

A towering, bare-majesty peak rising above the mountains, seen in awful majesty above the clouds.

  • Victor sees lightning playing on Mont Blanc summit figures while crossing the lake by boat.
  • Victor sees Mont Blanc rising above the surrounding aiguilles, shaping the sublime atmosphere of the journey.
  • Victor views Mont Blanc from the mountain-gazing area.
  • Clouds and Mont Blanc are described as part of the changing view during the voyage.

Victor’s father’s house (library and mantel-piece picture room)

Victor’s father’s home in Geneva; contains the library for early rising and displays a picture of Caroline Beaufort and a miniature of William over the mantel-piece.

  • Victor enters about five in the morning, tells servants not to disturb the family, and goes to the library.
  • Victor stands where he last embraced his father before departure and gazes on a picture of Caroline Beaufort and a miniature of William.

the court

Judicial setting where Justine is tried; public condemnation occurs among spectators and judges.

  • Trial commences and witnesses are called.
  • Justine pleads and gives a defense of her actions.
  • Elizabeth addresses the court to defend Justine’s character.
  • Ballots are thrown and the verdict is announced.

the prison chamber

Gloomy prison room where Justine is held on straw with manacled hands.

  • Victor/I and Elizabeth enter and find Justine sitting on straw.
  • Elizabeth and Justine converse privately.
  • Justine receives farewell and ultimately dies shortly after.

the lake

The lake near Geneva where Victor rows or sails during late hours; described as beautiful, heavenly, and silent, with bats and frogs near shore.

  • Victor takes a boat after the rest of the family retires.
  • He is tempted to plunge into the lake to end his calamities, but restrained by thoughts of Elizabeth and his father and the threat he believes the monster poses.
  • Victor spends whole days alone on the lake to find composure.
  • fiend plunges into the lake after the window attack
  • Victor and others search the area by boats and nets
  • Victor returns to Geneva by rowing across the lake

the near Alpine valleys

A general region of mountains and ravines sought by Victor as a change of place and relief from unbearable sensations.

  • Victor leaves home during an access of despair and walks toward Alpine valleys.
  • The journey is described as intended to forget himself and his sorrows.

the valley of Chamounix

A sublime and wonderful valley with high snowy mountains; described as less beautiful and picturesque than Servox (which is referenced as a comparison).

  • Victor’s wanderings are directed toward Chamounix.
  • He reaches the village of Chamounix after traveling through surrounding terrain.

Arve ravine

A ravine formed by the Arve river, with precipices overhanging; the sound of the river raging among rocks and waterfalls described as powerful and terrible.

  • Victor’s route plunges deeper into the ravine of Arve as he ascends.
  • The river’s sound and surrounding waterfalls contribute to his shifting feelings and fearlessness before lesser-than-omnipotent powers.

village of Chamounix

A village at the valley’s location where Victor finally rests; he watches lightnings above Mont Blanc and listens to the Arve at his window before sleeping.

  • Victor arrives after extreme fatigue.
  • He remains at the window observing Mont Blanc’s pallid lightning and listening to the Arve.
  • He falls asleep and feels oblivion.

the valley

A mountain valley below the heights, described through mists, rivers, and looming mountains during a stormy period.

  • Victor roams through the valley seeking consolation and distraction from his brooding thoughts.
  • Victor hurries his descent toward the valley but moves slowly.

glacier

An icy wall and later a ‘sea of ice,’ advancing and cracking under immutable laws; overhangs and forms crevices and rifts.

  • Victor contemplates the glacier from the valley.
  • Victor ascends to and then crosses the glacier.
  • He observes the uneven surface with rifts while the creature approaches.

Montanvert

A summit on the opposite mountain direction, approached by a precipitous path cut into winding segments; overlooks a sea of ice and lies opposite Mont Blanc.

  • Victor decides to ascend to Montanvert without a guide.
  • He reaches the top nearly at noon and then descends onto the glacier.

hut upon the mountain

A mountain hut warmed by a fire, reached across the ice from Victor’s initial position on the glacier.

  • The creature leads Victor across the ice to the hut.
  • Victor consents to listen to the creature’s tale inside the hut.

the forest near Ingolstadt

A wooded area near Ingolstadt where the creature seeks shade, lies by a brook, eats berries, and experiences repeated day-night changes; described as dark, cold, and later familiar enough for it to distinguish objects.

  • The creature lies by a brook resting from fatigue
  • It eats berries and drinks
  • It awakens cold in the dark and later observes the moon and birds
  • It discovers and learns from a left fire and manages it over nights

the open country

A snowy expanse beyond the forest, with uniform white fields after a snowfall, disconsolate and cold.

  • The creature crosses for three days after leaving the fire it cannot reproduce
  • It finds the cold-damp substance covering the ground

a small hut (shepherd’s hut)

A shelter on rising ground built for a shepherd; has an open door, contains straw and a fire, and offers relative safety from snow and rain.

  • An old man prepares breakfast inside near a fire
  • Hearing the creature, the old man shrieks and flees

a village

A settlement of huts, cottages, and stately houses whose gardens and windows display milk and cheese; later depicted as hostile toward the creature.

  • The creature admires huts and houses
  • It enters one of the best structures and is met with children shrieking and a woman fainting
  • Villagers attack with stones and missile weapons; the creature escapes

the hovel

A sparse, bare wooden refuge adjacent to a cottage, very low so the creature can barely sit upright; dry floor though wind enters through chinks.

  • The creature takes refuge after the village attack
  • It creeps out in the morning to arrange its hiding places with stones and wood
  • The narrator/creature lies on straw but cannot sleep, then remains there to watch.
  • He studies speech and spends the winter in this manner, learning vocabulary and observing routines.
  • The created being returns with a leathern portmanteau and brings books to study.
  • He posts concealment planks before trying to enter De Lacey’s cottage and later removes them to approach the door.
  • After being attacked and escaping, he flees unperceived back to the hovel.
  • He remains in silent expectation while the family delays appearing.
  • He creeps forth at night after spending the day in the hovel.

a cottage (near the hovel)

A neat, pleasant cottage adjacent to the creature’s hovel, with a sty/pool arrangement on exposed sides and windows later partly filled with wood, leaving a small chink for observation.

  • The creature observes the young girl passing with a pail of milk
  • The creature sees the old man seated nearby in disconsolate attitude
  • It watches the old man play music and the young girl kneel in tears
  • It observes the young man and young girl work in garden and enter the cottage together
  • The family uses tapers for prolonged light and reads aloud at night
Secondary 55

Lucerne

A town where Beaufort retreats to live unknown and in wretchedness with his daughter.

Reuss

A river used as a geographic reference point near the house where Beaufort hides.

Naples

A city where the narrator is born.

Austria

A country referenced as imprisoning the Italian father of Elizabeth’s orphan status; dungeons and confiscation occur under its power.

the frontiers of Italy (beyond)

Border region referenced as the route for an excursion when narrator is about five years old.

a mean street near the Reuss

Specific neighborhood in Lucerne-like geographic context where Beaufort’s house is located—described as mean and associated with misery.

a cottage (peasant abode)

The specific peasant home containing the family and the hungry children; described as penury in its worst shape.

the Swiss home

The family’s Swiss dwelling environment, surrounded by mountains and seasonal natural scenery.

Roncesvalles

A chivalric setting referenced through the play-acting and masquerades Clerval tries to stage.

the Round Table of King Arthur

Arthurian legend referenced as inspiration for Clerval’s plays and masquerades.

Roncesvalles / Round Table tradition (masquerades)

General chivalric/moral-theatrical context; not a distinct location but a narrative setting for childhood games.

Thonon

A Swiss location whose nearby baths are the destination of a pleasure trip mentioned in the narrator’s youth.

the baths near Thonon

A bathing destination near Thonon; part of the excursion during which weather keeps them inside an inn.

an inn near the baths (Thonon trip)

A lodging where the family stays during bad weather on the trip; depicted as the place where the narrator finds a volume of Cornelius Agrippa.

the town of Ingolstadt (with a high white steeple)

A visual landmark encountered upon approach to the city.

the narrator’s solitary apartment

A private lodging room in Ingolstadt where the narrator spends the evening alone.

M. Waldman’s lecturing room

A classroom/lecturing space where Waldman enters and delivers public lectures on chemistry.

M. Waldman’s laboratory

Waldman’s private laboratory containing various machines.

a house of mourning

The domestic space described as closely resembling death’s repose, where the family remains after the mother’s death.

a churchyard

A site of burial and decay, described as merely the receptacle of bodies deprived of life.

vaults and charnel-houses

Dark underground or storage spaces associated with death and decay used for anatomical observation.

the dissecting room

A room used for anatomical study by dissection.

the slaughter-house

Place where animals are killed and processed, used as a source of materials.

the fields

Countryside scenery described as beautiful during the narrator’s summer of work.

cemetery-like spaces / grave (implied)

A general reference to places associated with graves and the grave’s dampness.

the college / his college

The narrator’s academic setting in Ingolstadt where Henry and the narrator walk together afterward.

the stairs at the narrator’s lodging

The entry/walk-up area to the narrator’s apartment that the narrator uses to anticipate whether the creature remains.

the gates of the court

Gates belonging to the courtyard/compound where the narrator stays overnight; opened by the porter in the morning.

the church of Ingolstadt

A prominent church building with a white steeple and clock visible in morning light.

the window shutters

Shutters on the narrator’s room through which moonlight enters during the narrator’s night confrontation with the creature.

the environs of Ingolstadt

Outlying countryside around Ingolstadt used for perambulations and a pedestrian tour described as salubrious and scenic.

Plainpalais (south hill of Mont Salêve / Mont Salêve ascent)

A nearly perpendicular ascent of a hill bounding Plainpalais on the south, climbed by the creature during the storm.

Secheron

A village about half a league from Geneva where Victor must pass the night because the town gates are shut.

Lausanne

A city where Victor remains for two days in painful reflection before continuing toward Geneva.

Jura mountains

Mountain range visible around the region; referenced during storm echoes and in Victor’s travel view.

Belrive (promontory)

A promontory on the lake between which the storm is described as hovering.

Copêt

A village referenced as part of the storm region on the lake.

Salêve

A mountain whose presence is used to describe thunder echo during the storm.

Alps of Savoy

Mountain region where thunder is echoed during the storm.

the Môle

A peaked mountain to the east of the lake; sometimes disclosed during the storm.

Plainpalais vicinity with clump of trees

The immediate spot near trees where Victor sees the creature in the storm.

Chêne

A village near Geneva, about a league away; used as an alibi location (aunt’s house).

a barn belonging to a cottage

Shelter outside or near Geneva used as Justine’s forced temporary asylum during the night when gates were shut.

a village near Geneva / spot near the body

Area where William’s murdered body is later found; not precisely named beyond proximity to a market-woman’s location.

the scaffold

Execution platform where Justine dies as a condemned murderer.

Pélissier (bridge of Pélissier)

A named bridge on Victor’s route where the ravine opens before him.

Servox (valley of Servox)

Another valley Victor had passed through earlier; used for contrast with Chamounix.

the aiguilles

Surrounding sharp mountain peaks around Mont Blanc, referenced as belonging to another earth.

aiguilles and dôme imagery

The narrative’s geometric depiction of Mont Blanc’s forms (aiguilles and tremendous dôme).

the sources of the Arveiron

Mountain sources arising from a glacier, personified through the glacier’s advancing motion and the surrounding grandeur of Nature.

Arveiron (river) / the rivers running through it

Rivers in the valley whose rising mists curl around opposite mountains during rain.

the ascent path to Montanvert

A winding, cut path up a steep mountain, desolate and marked by winter avalanche traces, ravines of snow, and dangerous rolling stones; pines are sombre and severe.

a recess of the rock

A sheltered hollow where Victor gazes upon the stupendous icy panorama.

a brook

A clear stream providing drink within the forest; it supplies the creature with water.

Pandæmonium (as comparison)

A metaphorical reference used to compare the cottage’s shelter to scenes from hell; not a literal location in the events.