Main 51
Geneva
The city context where leaving the residence after gates close at ten o’clock proves irksome to Victor; includes the contrast between residence within walls and freer lake access.
- Narrator’s father takes Caroline to Geneva after Beaufort’s interment.
- Caroline is placed under the protection of a relation in Geneva.
- Parents own a house in Geneva; narrator describes avoiding crowds and attaching to a few friends there.
- Geneva school routine is mentioned as part of his education.
- The narrator’s education in local schools is referenced as completed before age seventeen.
- The narrator does not visit Geneva for two years while absorbed in discovery.
- His father’s letters from Geneva enquire about his occupations and address his silence.
- Elizabeth’s letter dated in Geneva describes household changes and gossip.
- Victor’s convalescence prompts correspondence to family in Geneva.
- Victor arrives in the environs of Geneva as night closes around; gates are shut.
- Victor’s father’s house is where Victor enters at dawn.
- Justine returns around eight o’clock to the house in Geneva.
- She cannot search freely when the gates are shut.
- The trial and visits occur in connection with Geneva’s judicial institutions.
- Gates closing at ten o’clock shapes Victor’s dissatisfaction with staying in Geneva.
- Victor feels temporarily freer after retreat to Belrive.
- Victor returns home at once, enters the house, and is met with alarm.
- Victor returns to Geneva and struggles to recommence his work.
- Victor’s father speaks with him there about marriage and the cause of his unhappiness.
- Victor’s father reassures Victor that Elizabeth and Ernest are safe there.
- Victor decides that returning to Geneva is his remaining duty after release.
- Victor and his father return to Geneva.
- Elizabeth welcomes Victor in Geneva with compassion and tears.
- A marriage ceremony is performed in Geneva.
- The couple depart by water for their first days of happiness.
- Victor arrives
- his father dies of grief
- Victor later is imprisoned and then released
- Victor decides to quit Geneva for ever.
- Victor wanders the confines of town seeking a clue.
- Victor enters the cemetery at night and swears vengeance at the tombs of William, Elizabeth, and his father.
Chapters 1, 2, 3, 4, 6, 7, 8, 9
Italy
A country-region of travel described as a restorative for Caroline’s weakened frame after marriage; includes tours through a land of wonders and stops in parts of Italy.
- Immediately after their union, the parents seek the pleasant climate of Italy.
- From Italy they visit Germany and France.
Chapter 1
Germany
A country visited by the parents on travel after Italy.
- The parents visit Germany.
- De Lacey and Agatha end up confined as exiles and find a miserable asylum in a cottage in Germany
Chapter 1
France
A country visited by the parents on travel after Italy.
- The parents visit France.
- Felix conducts the fugitives through France toward Lyons
Chapter 1
Lake of Como
A lake whose shores are visited during an excursion beyond the frontiers of Italy; a setting for visiting cottages of the poor.
- Parents spend a week on the shores of the Lake of Como.
- Narrator’s mother and narrator visit a poor cottage in a vale/foldings near the lake.
Chapter 1
Milan
A city near which the narrator’s father goes by himself; the poor cottage is visited after that. Also referenced as the origin of Elizabeth’s noble lineage.
- The narrator’s mother visits the poor abode when the father has gone by himself to Milan.
- Elizabeth is described as the daughter of a Milanese nobleman.
Chapter 1
our villa (parents’ villa hall)
The narrator’s family residence; includes a hall where Elizabeth is found playing with him and where she is integrated into family life.
- Father returns and finds Elizabeth playing with the narrator in the hall of their villa.
- Elizabeth becomes the inmate of the parents’ house and companion of their occupations and pleasures.
Chapter 1
a poor cot in the foldings of a vale
A singularly disconsolate poor cottage setting associated with penury and five hungry babes.
- Narrator’s mother notices the cot during a walk with the narrator.
- She finds a peasant couple distributing a scanty meal to five hungry babes.
Chapter 1
Belrive (eastern shore of the lake)
A campagne on the eastern shore of the lake near Geneva; described as the main residence in seclusion and later the location near which the family witnesses a storm and seeks scientific interest.
- Family resettles to a house near Belrive after the birth of the second son.
- Thunderstorm occurs while they are retired to their house near Belrive.
Chapter 2
the lake near Geneva
A placid lake landscape viewed from the road and from which Victor crosses by boat to reach Plainpalais; associated with storm reflections.
- Belrive is identified as being across the lake’s eastern shore from Geneva.
- Victor contemplates calm waters at Lausanne and later travels by road along its side toward Geneva.
- Victor crosses the lake in a boat during the storm to arrive at Plainpalais.
Chapters 2, 7
Jura
A mountain range behind which the storm advances.
- Thunderstorm advances from behind the mountains of Jura.
- Observed from the lake as they coasts opposite banks.
Chapter 2
the old and beautiful oak
An oak tree near the family’s house, struck by lightning; later found destroyed in a peculiar way.
- Lightning turns a stream of fire into the oak; the tree disappears, leaving only a blasted stump.
- Next morning, the tree is found shattered into thin ribbons of wood.
Chapter 2
Ingolstadt
University town in which Victor and Henry study; associated with their professors M. Waldman and M. Krempe and the college residence.
- The narrator’s arrival and lodging in a solitary apartment.
- He visits principal professors and attends lectures.
- He decides his future destiny after the day’s encounters.
- The narrator studies natural philosophy and chemistry there for about two years.
- Professors Krempe and Waldman are involved through lectures and instruction.
- The narrator makes chemical discoveries and gains esteem at the university.
- The narrator walks through streets in fear through rain and cold
- Henry Clerval arrives via a Swiss diligence stopping on a street near an inn
- The church in Ingolstadt is visible in the morning light/clock strikes sixth hour
- Victor introduces Clerval to the university professors.
- Walking tour occurs in the environs of Ingolstadt.
- Victor expects a letter fixing his departure date from Ingolstadt.
Chapters 3, 4, 5, 6
University of Ingolstadt
Institution where professors Waldman and Krempe lecture and interact with students.
- The narrator’s planned enrollment drives the travel timeline.
- Students are astonished by the narrator’s ardour and skill.
- Professors Krempe and Waldman respond to the narrator’s progress.
- Victor is introduced to the professors.
- Victor experiences distress during praise and discussion.
Chapters 3, 4, 6
M. Krempe’s lecture context / professorial setting
The academic space in which Krempe questions the narrator and later lectures.
- The narrator delivers letters of introduction and visits principal professors.
- Krempe asks questions about the narrator’s science background and dismisses his alchemists.
Chapter 3
the laboratory and its machines
The narrator’s laboratory workspace at Ingolstadt containing instruments and machines used for chemical work and experimentation.
- The narrator works obsessively until morning light disappears the stars.
- Later, he uses his refined capabilities as a foundation for his subsequent creation project.
Chapter 4
Belrive
A residence near Geneva within regular gated boundaries; described as within the walls of Geneva after gates close at ten o’clock. Victor’s household retreats there to be inside the grounds, making lake access impossible after a set hour.
- Victor and the family retire there for mourning after Justine’s death.
- Victor uses boat trips on the lake when family sleeps.
- Victor’s house becomes a house of mourning, with Elizabeth despondent and less engaged in ordinary occupations.
Chapters 4, 9
a solitary chamber / cell at the top of the house
A secluded workshop space separated from other apartments by a gallery and staircase; where the narrator keeps his creation workshop.
- The narrator conducts clandestine construction work there.
- He gathers and arranges materials and attends to the detailed parts of his created being.
Chapter 4
the narrator’s apartment / room
The narrator’s lodging/workroom where he assembled instruments of life and created the being; features rain against panes and near-burning candle light.
- The narrator infuses life into an inanimate body
- He observes the creature’s eyes open and flees in horror
- He later returns and finds the apartment empty after the creature has fled
Chapter 5
the courtyard belonging to the house
A courtyard at the narrator’s lodging used as refuge during the rest of the night while the narrator paces in agitation and listens for sounds.
- The narrator takes refuge after fleeing the room
- He walks up and down, fearing the creature’s approach
Chapter 5
the inn
A lodging/stop in the streets where diligences and carriages usually stop; located near where the Swiss diligence appears.
- The narrator pauses opposite the inn when he notices the incoming coach
- Victor is conducted by the magistrate and several persons to the inn after Kirwin’s instruction.
- Victor inspects corners and passages expecting the enemy
- Elizabeth retires to a room and later screams
- people of the inn gather around Elizabeth’s body
- Victor searches and then later later tries to arrange departure
Chapter 5
the street outside the house
The rainy street in Ingolstadt where the narrator paces in fear and where the Swiss diligence stops.
- The narrator flees downstairs and later walks the streets all night/into morning
- Henry meets the narrator near the Swiss diligence stopping point
Chapter 5
the college
Their residence/college where they return on a Sunday afternoon.
- Victor and Henry return after the perambulations.
- Peasants are dancing as they meet them on the way.
Chapter 6
Plainpalais
A district near Geneva where William and Ernest go walking; later the murder site is approached by Victor via boat and where storm figures and the creature are observed.
- William and Ernest are last seen going ahead during a walk with Elizabeth and Victor’s father’s party.
- William’s body is found stretched on the grass early in the morning with a murder’s finger print on his neck (as relayed).
- Victor crosses the lake by boat to reach Plainpalais in order to visit the spot of William’s murder and encounters the storm and the creature.
Chapter 7
Mont Blanc
A towering, bare-majesty peak rising above the mountains, seen in awful majesty above the clouds.
- Victor sees lightning playing on Mont Blanc summit figures while crossing the lake by boat.
- Victor sees Mont Blanc rising above the surrounding aiguilles, shaping the sublime atmosphere of the journey.
- Victor views Mont Blanc from the mountain-gazing area.
- Clouds and Mont Blanc are described as part of the changing view during the voyage.
Chapters 7, 9, 10
Victor’s father’s house (library and mantel-piece picture room)
Victor’s father’s home in Geneva; contains the library for early rising and displays a picture of Caroline Beaufort and a miniature of William over the mantel-piece.
- Victor enters about five in the morning, tells servants not to disturb the family, and goes to the library.
- Victor stands where he last embraced his father before departure and gazes on a picture of Caroline Beaufort and a miniature of William.
Chapter 7
the court
Judicial setting where Justine is tried; public condemnation occurs among spectators and judges.
- Trial commences and witnesses are called.
- Justine pleads and gives a defense of her actions.
- Elizabeth addresses the court to defend Justine’s character.
- Ballots are thrown and the verdict is announced.
Chapter 8
the prison chamber
Gloomy prison room where Justine is held on straw with manacled hands.
- Victor/I and Elizabeth enter and find Justine sitting on straw.
- Elizabeth and Justine converse privately.
- Justine receives farewell and ultimately dies shortly after.
Chapter 8
the lake
The lake near Geneva where Victor rows or sails during late hours; described as beautiful, heavenly, and silent, with bats and frogs near shore.
- Victor takes a boat after the rest of the family retires.
- He is tempted to plunge into the lake to end his calamities, but restrained by thoughts of Elizabeth and his father and the threat he believes the monster poses.
- Victor spends whole days alone on the lake to find composure.
- fiend plunges into the lake after the window attack
- Victor and others search the area by boats and nets
- Victor returns to Geneva by rowing across the lake
Chapter 9
the near Alpine valleys
A general region of mountains and ravines sought by Victor as a change of place and relief from unbearable sensations.
- Victor leaves home during an access of despair and walks toward Alpine valleys.
- The journey is described as intended to forget himself and his sorrows.
Chapter 9
the valley of Chamounix
A sublime and wonderful valley with high snowy mountains; described as less beautiful and picturesque than Servox (which is referenced as a comparison).
- Victor’s wanderings are directed toward Chamounix.
- He reaches the village of Chamounix after traveling through surrounding terrain.
Chapter 9
Arve ravine
A ravine formed by the Arve river, with precipices overhanging; the sound of the river raging among rocks and waterfalls described as powerful and terrible.
- Victor’s route plunges deeper into the ravine of Arve as he ascends.
- The river’s sound and surrounding waterfalls contribute to his shifting feelings and fearlessness before lesser-than-omnipotent powers.
Chapter 9
village of Chamounix
A village at the valley’s location where Victor finally rests; he watches lightnings above Mont Blanc and listens to the Arve at his window before sleeping.
- Victor arrives after extreme fatigue.
- He remains at the window observing Mont Blanc’s pallid lightning and listening to the Arve.
- He falls asleep and feels oblivion.
Chapter 9
the valley
A mountain valley below the heights, described through mists, rivers, and looming mountains during a stormy period.
- Victor roams through the valley seeking consolation and distraction from his brooding thoughts.
- Victor hurries his descent toward the valley but moves slowly.
Chapter 10
glacier
An icy wall and later a ‘sea of ice,’ advancing and cracking under immutable laws; overhangs and forms crevices and rifts.
- Victor contemplates the glacier from the valley.
- Victor ascends to and then crosses the glacier.
- He observes the uneven surface with rifts while the creature approaches.
Chapter 10
Montanvert
A summit on the opposite mountain direction, approached by a precipitous path cut into winding segments; overlooks a sea of ice and lies opposite Mont Blanc.
- Victor decides to ascend to Montanvert without a guide.
- He reaches the top nearly at noon and then descends onto the glacier.
Chapter 10
hut upon the mountain
A mountain hut warmed by a fire, reached across the ice from Victor’s initial position on the glacier.
- The creature leads Victor across the ice to the hut.
- Victor consents to listen to the creature’s tale inside the hut.
Chapter 10
the forest near Ingolstadt
A wooded area near Ingolstadt where the creature seeks shade, lies by a brook, eats berries, and experiences repeated day-night changes; described as dark, cold, and later familiar enough for it to distinguish objects.
- The creature lies by a brook resting from fatigue
- It eats berries and drinks
- It awakens cold in the dark and later observes the moon and birds
- It discovers and learns from a left fire and manages it over nights
Chapter 11
the open country
A snowy expanse beyond the forest, with uniform white fields after a snowfall, disconsolate and cold.
- The creature crosses for three days after leaving the fire it cannot reproduce
- It finds the cold-damp substance covering the ground
Chapter 11
a small hut (shepherd’s hut)
A shelter on rising ground built for a shepherd; has an open door, contains straw and a fire, and offers relative safety from snow and rain.
- An old man prepares breakfast inside near a fire
- Hearing the creature, the old man shrieks and flees
Chapter 11
a village
A settlement of huts, cottages, and stately houses whose gardens and windows display milk and cheese; later depicted as hostile toward the creature.
- The creature admires huts and houses
- It enters one of the best structures and is met with children shrieking and a woman fainting
- Villagers attack with stones and missile weapons; the creature escapes
Chapter 11
the hovel
A small shelter where the created being lies and watches the cottagers; the setting for his sleepless nights and prolonged observation.
- The creature takes refuge after the village attack
- It creeps out in the morning to arrange its hiding places with stones and wood
- The narrator/creature lies on straw but cannot sleep, then remains there to watch.
- He studies speech and spends the winter in this manner, learning vocabulary and observing routines.
- The created being returns with a leathern portmanteau and brings books to study.
- He posts concealment planks before trying to enter De Lacey’s cottage and later removes them to approach the door.
- After being attacked and escaping, he flees unperceived back to the hovel.
- He remains in silent expectation while the family delays appearing.
- He creeps forth at night after spending the day in the hovel.
Chapters 11, 12
a cottage (near the hovel)
A neat, pleasant cottage adjacent to the creature’s hovel, with a sty/pool arrangement on exposed sides and windows later partly filled with wood, leaving a small chink for observation.
- The creature observes the young girl passing with a pail of milk
- The creature sees the old man seated nearby in disconsolate attitude
- It watches the old man play music and the young girl kneel in tears
- It observes the young man and young girl work in garden and enter the cottage together
- The family uses tapers for prolonged light and reads aloud at night
Chapter 11
De Lacey's cottage
The cottagers’ interior home where the old man plays guitar during rest periods and where Safie is received; a bounded domestic space filled with listening, conversation, and music.
- A daily routine unfolds: the young woman arranges the cottage and prepares food; the youth departs after the first meal.
- Food, clothing, and warmth are described; poverty drives the household’s unhappiness.
- The family communicates through articulate sounds and reads/speaks together.
- Felix brings Safie inside after she dismounts
- Agatha and the household converse with Safie using signs
- Felix and the old man speak with Safie, including a moment where she kneels at the old man’s feet
- The household’s sadness is dispelled and replaced with joy
- Safie retires early with Agatha and Felix converses with his father later
- It is where De Lacey and Agatha live after five months of confinement
- Safie is ensured arrival there by a woman of a house after her attendant’s death
- The created being hides and waits for the family to rise; the family does not appear.
- Felix and an unnamed companion negotiate tenancy/possession and then leave; the created being never sees the family again.
- The created being sets combustibles around the cottage and burns it until it is enveloped by flames.
Chapters 12, 13
the garden
A small plot tied to the cottage where plants are grown and dressed; a source of vegetables and seasonal comfort.
- The household’s nourishment includes vegetables from the garden.
- Spring brings new plant growth, improving their comfort.
- Felix works in the garden, and the family tends cultivation as seasons advance.
Chapter 12
the milk-house / the well
A place connected to obtaining milk and drawing water; treated as part of the household’s daily provisioning.
- Felix clears snow that obstructs the path to the milk-house.
- Felix draws water from the well.
Chapter 12
the neighbouring wood
A nearby wooded area used as a source of berries, nuts, and roots by the created being.
- The creature gathers berries, nuts, and roots from here instead of stealing stored food.
- On one night during his accustomed visits, he finds a leather portmanteau on the ground containing books and clothing.
Chapter 12
the woods
The surrounding forest area the creature visits at night to collect food and fuel.
- At night the creature goes into the woods for food and fuel.
- He later clears paths from snow for the household’s movement.
- The created being wanders and howls at night during rage.
- After the cottage is burned, he seeks refuge in the woods.
- Later he lies low, makes decisions about travel, and continues through wooded paths and deep wood boundaries.
Chapter 12
the winter landscape (snowy ground)
The seasonal state of snow obstructing paths and limiting work; depicted as bleak and then gradually warming.
- The household suffers pangs of hunger in winter.
- Felix clears snow for Agatha’s path to the milk-house.
- The created being observes seasons and adjusts his routines accordingly.
Chapter 12
the springtime landscape (warmth, budding leaves)
Season of pleasant showers, genial warmth, birds singing, leaves budding, and changing earth.
- Spring alters the appearance of the earth, easing the threat of famine.
- The creature’s spirits are elevated by nature and hope for joy.
Chapter 12
the door
Entry point to the cottage where Agatha speaks and a veiled stranger first interacts by pronouncing names.
- Safie taps/arrives and Agatha questions her
- Safie responds by pronouncing Felix’s name
Chapter 13
Secondary 61
Lucerne
A town where Beaufort retreats to live unknown and in wretchedness with his daughter.
Reuss
A river used as a geographic reference point near the house where Beaufort hides.
Naples
A city where the narrator is born.
Austria
A country referenced as imprisoning the Italian father of Elizabeth’s orphan status; dungeons and confiscation occur under its power.
the frontiers of Italy (beyond)
Border region referenced as the route for an excursion when narrator is about five years old.
a mean street near the Reuss
Specific neighborhood in Lucerne-like geographic context where Beaufort’s house is located—described as mean and associated with misery.
a cottage (peasant abode)
The specific peasant home containing the family and the hungry children; described as penury in its worst shape.
the Swiss home
The family’s Swiss dwelling environment, surrounded by mountains and seasonal natural scenery.
Roncesvalles
A chivalric setting referenced through the play-acting and masquerades Clerval tries to stage.
the Round Table of King Arthur
Arthurian legend referenced as inspiration for Clerval’s plays and masquerades.
Roncesvalles / Round Table tradition (masquerades)
General chivalric/moral-theatrical context; not a distinct location but a narrative setting for childhood games.
Thonon
A Swiss location whose nearby baths are the destination of a pleasure trip mentioned in the narrator’s youth.
the baths near Thonon
A bathing destination near Thonon; part of the excursion during which weather keeps them inside an inn.
an inn near the baths (Thonon trip)
A lodging where the family stays during bad weather on the trip; depicted as the place where the narrator finds a volume of Cornelius Agrippa.
the town of Ingolstadt (with a high white steeple)
A visual landmark encountered upon approach to the city.
the narrator’s solitary apartment
A private lodging room in Ingolstadt where the narrator spends the evening alone.
M. Waldman’s lecturing room
A classroom/lecturing space where Waldman enters and delivers public lectures on chemistry.
M. Waldman’s laboratory
Waldman’s private laboratory containing various machines.
a house of mourning
The domestic space described as closely resembling death’s repose, where the family remains after the mother’s death.
a churchyard
A site of burial and decay, described as merely the receptacle of bodies deprived of life.
vaults and charnel-houses
Dark underground or storage spaces associated with death and decay used for anatomical observation.
the dissecting room
A room used for anatomical study by dissection.
the slaughter-house
Place where animals are killed and processed, used as a source of materials.
the fields
Countryside scenery described as beautiful during the narrator’s summer of work.
cemetery-like spaces / grave (implied)
A general reference to places associated with graves and the grave’s dampness.
the college / his college
The narrator’s academic setting in Ingolstadt where Henry and the narrator walk together afterward.
the stairs at the narrator’s lodging
The entry/walk-up area to the narrator’s apartment that the narrator uses to anticipate whether the creature remains.
the gates of the court
Gates belonging to the courtyard/compound where the narrator stays overnight; opened by the porter in the morning.
the church of Ingolstadt
A prominent church building with a white steeple and clock visible in morning light.
the window shutters
Shutters on the narrator’s room through which moonlight enters during the narrator’s night confrontation with the creature.
the environs of Ingolstadt
Outlying countryside around Ingolstadt used for perambulations and a pedestrian tour described as salubrious and scenic.
Plainpalais (south hill of Mont Salêve / Mont Salêve ascent)
A nearly perpendicular ascent of a hill bounding Plainpalais on the south, climbed by the creature during the storm.
Secheron
A village about half a league from Geneva where Victor must pass the night because the town gates are shut.
Lausanne
A city where Victor remains for two days in painful reflection before continuing toward Geneva.
Jura mountains
Mountain range visible around the region; referenced during storm echoes and in Victor’s travel view.
Belrive (promontory)
A promontory on the lake between which the storm is described as hovering.
Copêt
A village referenced as part of the storm region on the lake.
Salêve
A mountain whose presence is used to describe thunder echo during the storm.
Alps of Savoy
Mountain region where thunder is echoed during the storm.
the Môle
A peaked mountain to the east of the lake; sometimes disclosed during the storm.
Plainpalais vicinity with clump of trees
The immediate spot near trees where Victor sees the creature in the storm.
Chêne
A village near Geneva, about a league away; used as an alibi location (aunt’s house).
a barn belonging to a cottage
Shelter outside or near Geneva used as Justine’s forced temporary asylum during the night when gates were shut.
a village near Geneva / spot near the body
Area where William’s murdered body is later found; not precisely named beyond proximity to a market-woman’s location.
the scaffold
Execution platform where Justine dies as a condemned murderer.
Pélissier (bridge of Pélissier)
A named bridge on Victor’s route where the ravine opens before him.
Servox (valley of Servox)
Another valley Victor had passed through earlier; used for contrast with Chamounix.
the aiguilles
Surrounding sharp mountain peaks around Mont Blanc, referenced as belonging to another earth.
aiguilles and dôme imagery
The narrative’s geometric depiction of Mont Blanc’s forms (aiguilles and tremendous dôme).
the sources of the Arveiron
Mountain sources arising from a glacier, personified through the glacier’s advancing motion and the surrounding grandeur of Nature.
Arveiron (river) / the rivers running through it
Rivers in the valley whose rising mists curl around opposite mountains during rain.
the ascent path to Montanvert
A winding, cut path up a steep mountain, desolate and marked by winter avalanche traces, ravines of snow, and dangerous rolling stones; pines are sombre and severe.
a recess of the rock
A sheltered hollow where Victor gazes upon the stupendous icy panorama.
a brook
A clear stream providing drink within the forest; it supplies the creature with water.
Pandæmonium (as comparison)
A metaphorical reference used to compare the cottage’s shelter to scenes from hell; not a literal location in the events.
the outhouse / wood storage
An outbuilding where wood is stored; its supply is mysteriously replenished according to Felix’s astonishment.
the forest
A specific area the youth typically visits for wood; during one described occasion he does not go, instead repairing and cultivating the cottage.
outside the cottage (doorway/pile of wood)
The exterior threshold where the young woman opens the door and discovers a large pile of wood set outside.
the black ground
A nearby outdoor area described as covered with herbage as spring advances; part of the landscape around the dwelling.
the green banks
Outdoor riverbank/landscape area with innumerable flowers described as radiantly pale in moonlight woods.
the moonlight woods
Woods/forest area producing moonlight ambiance where the landscape is described as balmy and beautiful during the creature’s nocturnal rambles.