The narrator devotes himself almost entirely to natural philosophy and chemistry at Ingolstadt, deepening friendships with M. Waldman while earning admiration through his rapid progress. After two years, he turns his studies toward physiology, pursuing the causes of life by examining anatomy and decomposition until he believes he has discovered how to bestow animation. He then begins creating a gigantic human being in secret, working with mounting obsession through months of study as his health and social life deteriorate.
On stage
Victor
Continues intensive study of natural philosophy and chemistry at Ingolstadt, shifts toward physiology, claims to discover the cause of life, and begins constructing a gigantic created being in secret.
Mentioned
Beaufort
Referenced indirectly in background from earlier material but not present in this chapter.
Caroline Beaufort
Not directly present in the chapter’s events.
Alphonse Frankenstein
Referenced via letters asking about the narrator’s occupations and addressing his prolonged silence.
Elizabeth Lavenza
Not present; referenced only through earlier context.
the peasant woman
Not present in this chapter’s events.
the peasant man
Not present in this chapter’s events.
the village priest
Not present in this chapter.
Victor
Mentioned only indirectly through earlier known context; not active here.
Cornelius Agrippa
Referenced by name in connection with the narrator’s professor’s sly question about how Agrippa is going.
Paracelsus
Not named in the provided text for this chapter.
Albertus Magnus
Not named in the provided text for this chapter.
Sir Isaac Newton
Not mentioned in the provided text for this chapter.
the man of great research in natural philosophy
Not present in the provided text for this chapter.
the guardian angel of my life
Not referenced in the provided chapter text.
Destiny
Not referenced in this chapter text.
Henry Clerval
Not physically present; invoked indirectly as ‘friends’ in Geneva whom the narrator has not visited or written to.
Cornelius Agrippa’s list of books (implied)
Not applicable to this chapter’s events.
M. Krempe
Asked the narrator how Cornelius Agrippa was going and contrasts with the narrator’s increasing proficiency.
M. Waldman
Expresses heartfelt exultation in the narrator’s progress and provides encouragement that smooths the narrator’s path to knowledge.
Clerval’s father
Not present or directly referenced in the provided chapter text.
Settings
Ingolstadt
University town where the narrator attends lectures, cultivates the acquaintance of scientists, and runs laboratory work with chemical instruments.
University of Ingolstadt
Institutional setting within Ingolstadt where lectures occur and where the narrator gains recognition for proficiency.
the laboratory and its machines
The narrator’s laboratory workspace at Ingolstadt containing instruments and machines used for chemical work and experimentation.
Geneva
Native town associated with the narrator’s friends, family, and his father’s expectations and letters.
Belrive
Region associated with earlier time near which a scientific visitor explained electricity and galvanism.
a churchyard
A site of burial and decay, described as merely the receptacle of bodies deprived of life.
vaults and charnel-houses
Dark underground or storage spaces associated with death and decay used for anatomical observation.
the dissecting room
A room used for anatomical study by dissection.
the slaughter-house
Place where animals are killed and processed, used as a source of materials.
a solitary chamber / cell at the top of the house
A secluded workshop space separated from other apartments by a gallery and staircase; where the narrator keeps his creation workshop.
the fields
Countryside scenery described as beautiful during the narrator’s summer of work.
cemetery-like spaces / grave (implied)
A general reference to places associated with graves and the grave’s dampness.