Chapter 7

This chapter
Characters 42
Places 67
Victor receives a letter from his father announcing that William has been murdered in Plainpalais while Ernest and William were searching. After arriving in Geneva, Victor recognizes the murderer as the creature he himself created, but keeps silent and instead focuses on supporting Justine Moritz, who is being accused and will be tried. Elizabeth, Ernest, and Victor’s father prepare for the trial as the family’s grief and confusion deepen.

On stage

Victor Reads his father’s letter about William’s murder, travels back to Geneva, observes the storm-haunted scene, recognizes the creature as the murderer, then returns to his father’s house where he denies Justine’s guilt and encourages Elizabeth’s hope.
Alphonse Frankenstein Writes the letter announcing William’s murder and later, after Victor’s arrival, speaks to family members about the hoped-for acquittal of Justine based on impartial justice.
Henry Clerval Receives the news of William’s murder from Victor’s reading, accompanies Victor in ordering transport, and offers heartfelt sympathy while they hurry toward Geneva.
Ernest Reports the investigation’s outcome to Victor (Justine’s arrest and the ‘murderer discovered’ claim) and informs Victor that Justine will be tried that day.
Elizabeth Lavenza Welcomes Victor upon his return, expresses hope that Justine will be acquitted, mourns alongside the family, and later supports reliance on justice.
the creature Is witnessed by Victor in the storm as it appears near Plainpalais and is believed by Victor to have murdered William.

Mentioned

William Is the victim of a murder described through Victor’s father’s letter and family accounts.
Justine Moritz Is the accused suspect in William’s murder; family accounts describe her confinement after being taken ill, her confused behavior under accusation, and the discovered miniature in her pocket leading to her arrest.
the porter Discovers the miniature of William’s mother (Victor’s mother) in Justine’s clothing and helps trigger the accusation and apprehension.
magistrate Receives reports based on depositions and becomes part of the process that leads to Justine’s apprehension.

Settings

Plainpalais A district near Geneva where William and Ernest go walking; later the murder site is approached by Victor via boat and where storm figures and the creature are observed.
Plainpalais (south hill of Mont Salêve / Mont Salêve ascent) A nearly perpendicular ascent of a hill bounding Plainpalais on the south, climbed by the creature during the storm.
Secheron A village about half a league from Geneva where Victor must pass the night because the town gates are shut.
Geneva Victor’s native city; gates shut at Victor’s arrival night; a home and mourning setting after he returns.
Lausanne A city where Victor remains for two days in painful reflection before continuing toward Geneva.
the lake near Geneva A placid lake landscape viewed from the road and from which Victor crosses by boat to reach Plainpalais; associated with storm reflections.
Jura mountains Mountain range visible around the region; referenced during storm echoes and in Victor’s travel view.
Mont Blanc A bright summit visible during Victor’s travel; lightning plays on it during the storm.
Belrive (promontory) A promontory on the lake between which the storm is described as hovering.
Copêt A village referenced as part of the storm region on the lake.
Salêve A mountain whose presence is used to describe thunder echo during the storm.
Alps of Savoy Mountain region where thunder is echoed during the storm.
the Môle A peaked mountain to the east of the lake; sometimes disclosed during the storm.
Victor’s father’s house (library and mantel-piece picture room) Victor’s father’s home in Geneva; contains the library for early rising and displays a picture of Caroline Beaufort and a miniature of William over the mantel-piece.
Plainpalais vicinity with clump of trees The immediate spot near trees where Victor sees the creature in the storm.
Main 5

Victor

Also known as: Frankenstein, M. Frankenstein

Man consumed by moral guilt and dread from his experiments and abandonment of his created being. Still believes the created being threatens him directly. Attached to Elizabeth as cousin and intended spouse; tormented by memory and an impending cycle of murders.

Beaufort friend-of-family via fatherCaroline Beaufort motherhis father fatherElizabeth Lavenza more than sister / cousin-like bondAlphonse Frankenstein child/son +12 more
Chapters 1, 2, 3, 4, 5, 6, 7

Alphonse Frankenstein

Also known as: the narrator’s father, the father, his father

Genevese public figure known for integrity and patient attention to public business; guided by justice in love; has close concern for Elizabeth and the children; currently grieving William’s death and facing a trial involving Justine Moritz.

Beaufort intimate friendCaroline Beaufort husbandElizabeth Lavenza guardian/household headVictor father/parentHenry Clerval father of a friend; conflicts with Clerval’s desire to study +3 more
Chapters 1, 2, 3, 4, 7

Elizabeth Lavenza

Also known as: the narrator’s cousin, Elizabeth, the narrator’s Elizabeth

Gentle, compassionate, morally steady orphan connected to Victor as cousin and intended spouse; capable of noticing Victor’s changes and responding with concern. Provides a moral anchor and embodies the best hope for Victor’s happiness and domestic stability.

the peasant woman foster child (charge)the peasant man foster child (charge)the village priest consulted authority regarding her careCaroline Beaufort rescued/placed under careAlphonse Frankenstein adopted into household / cared for +6 more
Chapters 1, 2, 3, 4, 5, 6, 7

Henry Clerval

Also known as: Clerval

Young man from Geneva, talented and fanciful with morally oriented ambition; devoted friend to Victor; in this period is traveling with Victor and able to empathize deeply though he offers limited consolation.

Victor closest childhood friendElizabeth Lavenza friend/companion; Elizabeth influences his moral directionClerval’s father son/parent relationship; father restricts his educationCaroline Beaufort family acquaintance during farewell eveningAlphonse Frankenstein relative of his friend; his father’s approval/disapproval concerns education +4 more
Chapters 2, 3, 4, 5, 6, 7

the creature

Also known as: the wretch, the filthy dæmon, fiend, filthy dæmon, the fiend, the creature/fiend as daemon (as feared), the dæmon, the murderer, the daemon, fiendish monster, dæmon, miserable wretch (Victorian whisper), gigantic monster, monster

Physically deformed created being, socially shunned; self-aware and emotionally intense, driven by revenge and later by remorse/self-condemnation. Described as eloquent, intelligent, and capable of deep feeling.

Victor created by; tormenting presence in the narrator’s mindWilliam murdererJustine Moritz believed to be responsible for the murders that lead to her death (via accusations and Victor’s understanding)Henry Clerval threat (feared destroyer)Elizabeth Lavenza indirectly targeted via threats to Victor’s promised happiness
Chapters 5, 7
Secondary 8

Caroline Beaufort

Daughter of the merchant Beaufort; courageous and capable, able to sustain herself through plain work. Serves as the narrator’s mother in the story’s established context; emotionally significant to the narrator as someone associated with grief and memories.

Beaufort fatherAlphonse Frankenstein later husband/wife relationshipElizabeth Lavenza rescuer/benefactorCaroline Beaufort same person as narrator’s motherVictor mother/parent
Chapters 1, 2, 3, 4, 5

the man of great research in natural philosophy

Knowledgeable scientific visitor/accompanying figure associated with demonstrations of electricity and galvanism during the family’s time near Belrive.

Victor teacher/expounder figure (indirect instruction)
Chapters 2, 4

M. Krempe

Professor of natural philosophy in Ingolstadt; uncouth and gruff with repulsive manners, though capable of sound sense; believes in scientific secrets and self-importance.

Victor professor/student relationshipHenry Clerval professor addressing him directly as ‘M. Clerval’M. Waldman colleague faculty member
Chapters 3, 4, 6

M. Waldman

Fellow professor in Ingolstadt, around fifty; dignified in lecture, kind and mild in private; frames instruction with frankness and good nature.

Victor professor/mentor relationshipM. Krempe colleagues; alternates lectures with himHenry Clerval professor interacting with student circle
Chapters 3, 4, 6

the porter

Unnamed household servant involved in examining Justine’s apparel and reporting the found miniature to another person who contacts a magistrate.

Victor serves him in access to the courtyard/gatesJustine Moritz household relationship (observes/handles clothing)magistrate reports toElizabeth Lavenza indirect via identification of the picture
Chapters 5, 7

Justine Moritz

Also known as: Justine

Genevan household servant formerly associated with Victor’s family; remembered for frank-hearted kindness; in this household narrative she is suspected of murder and accused despite Victor’s belief in her innocence; to be tried today.

Elizabeth Lavenza beloved domestic attendant/affectionate household bondMadame Moritz daughterVictor appears in Victor’s earlier memory as a favourite figurethe narrator’s aunt reminiscence model; resembles her in mien and expressionAlphonse Frankenstein household servant +2 more
Chapters 6, 7

Ernest

Sixteen-year-old boy in Elizabeth’s family; spirited, active, wants to be true Swiss and enter foreign service; tends to be outdoorsy and less drawn to study; grieving William’s death and later involved in family discussions about the trial.

Elizabeth Lavenza son/childthe narrator’s uncle relative/household authority mentioned as not pleased about his military careerWilliam brotherVictor brotherthe creature possible intended victim
Chapters 6, 7

magistrate

Local judicial authority to whom testimony is given regarding William’s murder.

Justine Moritz charges/arrestsVictor speaks via an officer who delivers verdict detailsthe creature target of proposed apprehension
Chapter 7
Mentioned 29
Beaufort Was sought out by the narrator’s father after hiding for ten months; dies after months of sickness left Beaufort with few funds.
the peasant woman Communicates Elizabeth Lavenza’s history to the narrator’s mother during the visit.
the peasant man Distributes a scanty meal to hungry children in his cottage; is present as part of the household during the narrator’s mother’s visit.
the village priest Is consulted by the narrator’s parents’ household regarding taking Elizabeth into their home; their consultation results in Elizabeth becoming an inmate of the parents’ house.
Caroline Beaufort’s relation Receives Caroline under protection after Beaufort’s death.
Cornelius Agrippa Works serve as the catalyst for the narrator’s initial enthusiasm for obscure theories and later contribute to his subsequent discontent and change of direction.
Paracelsus Provides further reading that occupies the narrator’s fascination with exploded systems and the “elixir of life” pursuit.
Albertus Magnus Adds to the narrator’s early study of contradictory, discarded systems that later lose value to him.
Sir Isaac Newton Serves as an illustrative comparison for the narrator’s sense of knowledge limits and dissatisfaction.
the guardian angel of my life Narrator attributes his change of inclination and will to this protective influence, framed as an attempt to avert impending destruction.
Destiny Referenced conceptually as an ‘influence’ and as ‘fate’ connected with the lecture sequence that ‘destroyed’ the narrator’s previous resistance to science.
Clerval’s father Unseen figure who prevents Clerval from accompanying the narrator by refusing permission.
the Angel of Destruction Characterized as the cause-like influence accompanying the narrator from his father’s door and leading to his first encounter with M. Krempe.
M. Krempe’s list of books (implied) Requested and provided as a study prescription by the professor.
Cornelius Agrippa’s list of books (implied) Not applicable to this chapter’s events.
the narrator’s cousin Is implied as the source of a letter waiting for the narrator.
Madame Moritz Mentioned in Elizabeth’s letter as the cause of Justine’s departure from their house and later Justine’s return.
M. Moritz Referenced as deceased before the family’s subsequent treatment of Justine.
M. Duvillard Mentioned in Elizabeth’s social gossip as Manon Mansfield’s husband.
John Melbourne Mentioned as the Englishman Miss Mansfield is about to marry.
Miss Mansfield Mentioned in Elizabeth’s letter as receiving visits for her impending marriage.
Manon Mentioned as having married banker M. Duvillard last autumn.
Louis Manoir Mentioned as having recovered and being reported near marriage to a French widow.
Madame Tavernier Referenced as the person Justine nursed previously, supporting character testimony.
Justine Moritz’s brothers and sister Mentioned as having died one by one, prompting Madame Moritz’s guilt.
William Mentioned in Elizabeth’s letter as one of her household’s ‘little darling’ children and described alongside his interaction with Louisa Biron.
Louisa Biron Mentioned as William’s favourite among his ‘wives’ (play companions).
the narrator’s uncle Mentioned as the one restrained from visiting Ingolstadt and as objecting to Ernest’s foreign service plan.
the narrator’s aunt Referenced as the deceased benefactress of Justine and as the model Elizabeth’s Justine now resembles.
Main 26

Geneva

Victor’s native city; gates shut at Victor’s arrival night; a home and mourning setting after he returns.

  • Narrator’s father takes Caroline to Geneva after Beaufort’s interment.
  • Caroline is placed under the protection of a relation in Geneva.
  • Parents own a house in Geneva; narrator describes avoiding crowds and attaching to a few friends there.
  • Geneva school routine is mentioned as part of his education.
  • The narrator’s education in local schools is referenced as completed before age seventeen.
  • The narrator does not visit Geneva for two years while absorbed in discovery.
  • His father’s letters from Geneva enquire about his occupations and address his silence.
  • Elizabeth’s letter dated in Geneva describes household changes and gossip.
  • Victor’s convalescence prompts correspondence to family in Geneva.
  • Victor arrives in the environs of Geneva as night closes around; gates are shut.
  • Victor’s father’s house is where Victor enters at dawn.
  • Justine returns around eight o’clock to the house in Geneva.
  • She cannot search freely when the gates are shut.
  • The trial and visits occur in connection with Geneva’s judicial institutions.
  • Gates closing at ten o’clock shapes Victor’s dissatisfaction with staying in Geneva.
  • Victor feels temporarily freer after retreat to Belrive.
  • Victor returns home at once, enters the house, and is met with alarm.
  • Victor returns to Geneva and struggles to recommence his work.
  • Victor’s father speaks with him there about marriage and the cause of his unhappiness.
  • Victor’s father reassures Victor that Elizabeth and Ernest are safe there.
  • Victor decides that returning to Geneva is his remaining duty after release.
  • Victor and his father return to Geneva.
  • Elizabeth welcomes Victor in Geneva with compassion and tears.
  • A marriage ceremony is performed in Geneva.
  • The couple depart by water for their first days of happiness.
  • Victor arrives
  • his father dies of grief
  • Victor later is imprisoned and then released
  • Victor decides to quit Geneva for ever.
  • Victor wanders the confines of town seeking a clue.
  • Victor enters the cemetery at night and swears vengeance at the tombs of William, Elizabeth, and his father.
Chapters 1, 2, 3, 4, 6, 7

Italy

A country-region of travel described as a restorative for Caroline’s weakened frame after marriage; includes tours through a land of wonders and stops in parts of Italy.

  • Immediately after their union, the parents seek the pleasant climate of Italy.
  • From Italy they visit Germany and France.
Chapter 1

Germany

A country visited by the parents on travel after Italy.

  • The parents visit Germany.
  • De Lacey and Agatha end up confined as exiles and find a miserable asylum in a cottage in Germany
Chapter 1

France

A country visited by the parents on travel after Italy.

  • The parents visit France.
  • Felix conducts the fugitives through France toward Lyons
Chapter 1

Lake of Como

A lake whose shores are visited during an excursion beyond the frontiers of Italy; a setting for visiting cottages of the poor.

  • Parents spend a week on the shores of the Lake of Como.
  • Narrator’s mother and narrator visit a poor cottage in a vale/foldings near the lake.
Chapter 1

Milan

A city near which the narrator’s father goes by himself; the poor cottage is visited after that. Also referenced as the origin of Elizabeth’s noble lineage.

  • The narrator’s mother visits the poor abode when the father has gone by himself to Milan.
  • Elizabeth is described as the daughter of a Milanese nobleman.
Chapter 1

our villa (parents’ villa hall)

The narrator’s family residence; includes a hall where Elizabeth is found playing with him and where she is integrated into family life.

  • Father returns and finds Elizabeth playing with the narrator in the hall of their villa.
  • Elizabeth becomes the inmate of the parents’ house and companion of their occupations and pleasures.
Chapter 1

a poor cot in the foldings of a vale

A singularly disconsolate poor cottage setting associated with penury and five hungry babes.

  • Narrator’s mother notices the cot during a walk with the narrator.
  • She finds a peasant couple distributing a scanty meal to five hungry babes.
Chapter 1

Belrive (eastern shore of the lake)

A campagne on the eastern shore of the lake near Geneva; described as the main residence in seclusion and later the location near which the family witnesses a storm and seeks scientific interest.

  • Family resettles to a house near Belrive after the birth of the second son.
  • Thunderstorm occurs while they are retired to their house near Belrive.
Chapter 2

the lake near Geneva

A placid lake landscape viewed from the road and from which Victor crosses by boat to reach Plainpalais; associated with storm reflections.

  • Belrive is identified as being across the lake’s eastern shore from Geneva.
  • Victor contemplates calm waters at Lausanne and later travels by road along its side toward Geneva.
  • Victor crosses the lake in a boat during the storm to arrive at Plainpalais.
Chapters 2, 7

Jura

A mountain range behind which the storm advances.

  • Thunderstorm advances from behind the mountains of Jura.
  • Observed from the lake as they coasts opposite banks.
Chapter 2

the old and beautiful oak

An oak tree near the family’s house, struck by lightning; later found destroyed in a peculiar way.

  • Lightning turns a stream of fire into the oak; the tree disappears, leaving only a blasted stump.
  • Next morning, the tree is found shattered into thin ribbons of wood.
Chapter 2

Ingolstadt

University town in which Victor and Henry study; associated with their professors M. Waldman and M. Krempe and the college residence.

  • The narrator’s arrival and lodging in a solitary apartment.
  • He visits principal professors and attends lectures.
  • He decides his future destiny after the day’s encounters.
  • The narrator studies natural philosophy and chemistry there for about two years.
  • Professors Krempe and Waldman are involved through lectures and instruction.
  • The narrator makes chemical discoveries and gains esteem at the university.
  • The narrator walks through streets in fear through rain and cold
  • Henry Clerval arrives via a Swiss diligence stopping on a street near an inn
  • The church in Ingolstadt is visible in the morning light/clock strikes sixth hour
  • Victor introduces Clerval to the university professors.
  • Walking tour occurs in the environs of Ingolstadt.
  • Victor expects a letter fixing his departure date from Ingolstadt.
Chapters 3, 4, 5, 6

University of Ingolstadt

Institution where professors Waldman and Krempe lecture and interact with students.

  • The narrator’s planned enrollment drives the travel timeline.
  • Students are astonished by the narrator’s ardour and skill.
  • Professors Krempe and Waldman respond to the narrator’s progress.
  • Victor is introduced to the professors.
  • Victor experiences distress during praise and discussion.
Chapters 3, 4, 6

M. Krempe’s lecture context / professorial setting

The academic space in which Krempe questions the narrator and later lectures.

  • The narrator delivers letters of introduction and visits principal professors.
  • Krempe asks questions about the narrator’s science background and dismisses his alchemists.
Chapter 3

the laboratory and its machines

The narrator’s laboratory workspace at Ingolstadt containing instruments and machines used for chemical work and experimentation.

  • The narrator works obsessively until morning light disappears the stars.
  • Later, he uses his refined capabilities as a foundation for his subsequent creation project.
Chapter 4

Belrive

Region associated with earlier time near which a scientific visitor explained electricity and galvanism.

  • Victor and the family retire there for mourning after Justine’s death.
  • Victor uses boat trips on the lake when family sleeps.
  • Victor’s house becomes a house of mourning, with Elizabeth despondent and less engaged in ordinary occupations.
Chapter 4

a solitary chamber / cell at the top of the house

A secluded workshop space separated from other apartments by a gallery and staircase; where the narrator keeps his creation workshop.

  • The narrator conducts clandestine construction work there.
  • He gathers and arranges materials and attends to the detailed parts of his created being.
Chapter 4

the narrator’s apartment / room

The narrator’s lodging/workroom where he assembled instruments of life and created the being; features rain against panes and near-burning candle light.

  • The narrator infuses life into an inanimate body
  • He observes the creature’s eyes open and flees in horror
  • He later returns and finds the apartment empty after the creature has fled
Chapter 5

the courtyard belonging to the house

A courtyard at the narrator’s lodging used as refuge during the rest of the night while the narrator paces in agitation and listens for sounds.

  • The narrator takes refuge after fleeing the room
  • He walks up and down, fearing the creature’s approach
Chapter 5

the inn

A lodging/stop in the streets where diligences and carriages usually stop; located near where the Swiss diligence appears.

  • The narrator pauses opposite the inn when he notices the incoming coach
  • Victor is conducted by the magistrate and several persons to the inn after Kirwin’s instruction.
  • Victor inspects corners and passages expecting the enemy
  • Elizabeth retires to a room and later screams
  • people of the inn gather around Elizabeth’s body
  • Victor searches and then later later tries to arrange departure
Chapter 5

the street outside the house

The rainy street in Ingolstadt where the narrator paces in fear and where the Swiss diligence stops.

  • The narrator flees downstairs and later walks the streets all night/into morning
  • Henry meets the narrator near the Swiss diligence stopping point
Chapter 5

the college

Their residence/college where they return on a Sunday afternoon.

  • Victor and Henry return after the perambulations.
  • Peasants are dancing as they meet them on the way.
Chapter 6

Plainpalais

A district near Geneva where William and Ernest go walking; later the murder site is approached by Victor via boat and where storm figures and the creature are observed.

  • William and Ernest are last seen going ahead during a walk with Elizabeth and Victor’s father’s party.
  • William’s body is found stretched on the grass early in the morning with a murder’s finger print on his neck (as relayed).
  • Victor crosses the lake by boat to reach Plainpalais in order to visit the spot of William’s murder and encounters the storm and the creature.
Chapter 7

Mont Blanc

A bright summit visible during Victor’s travel; lightning plays on it during the storm.

  • Victor sees lightning playing on Mont Blanc summit figures while crossing the lake by boat.
  • Victor sees Mont Blanc rising above the surrounding aiguilles, shaping the sublime atmosphere of the journey.
  • Victor views Mont Blanc from the mountain-gazing area.
  • Clouds and Mont Blanc are described as part of the changing view during the voyage.
Chapter 7

Victor’s father’s house (library and mantel-piece picture room)

Victor’s father’s home in Geneva; contains the library for early rising and displays a picture of Caroline Beaufort and a miniature of William over the mantel-piece.

  • Victor enters about five in the morning, tells servants not to disturb the family, and goes to the library.
  • Victor stands where he last embraced his father before departure and gazes on a picture of Caroline Beaufort and a miniature of William.
Chapter 7
Secondary 41

Lucerne

A town where Beaufort retreats to live unknown and in wretchedness with his daughter.

Reuss

A river used as a geographic reference point near the house where Beaufort hides.

Naples

A city where the narrator is born.

Austria

A country referenced as imprisoning the Italian father of Elizabeth’s orphan status; dungeons and confiscation occur under its power.

the frontiers of Italy (beyond)

Border region referenced as the route for an excursion when narrator is about five years old.

a mean street near the Reuss

Specific neighborhood in Lucerne-like geographic context where Beaufort’s house is located—described as mean and associated with misery.

a cottage (peasant abode)

The specific peasant home containing the family and the hungry children; described as penury in its worst shape.

the Swiss home

The family’s Swiss dwelling environment, surrounded by mountains and seasonal natural scenery.

Roncesvalles

A chivalric setting referenced through the play-acting and masquerades Clerval tries to stage.

the Round Table of King Arthur

Arthurian legend referenced as inspiration for Clerval’s plays and masquerades.

Roncesvalles / Round Table tradition (masquerades)

General chivalric/moral-theatrical context; not a distinct location but a narrative setting for childhood games.

Thonon

A Swiss location whose nearby baths are the destination of a pleasure trip mentioned in the narrator’s youth.

the baths near Thonon

A bathing destination near Thonon; part of the excursion during which weather keeps them inside an inn.

an inn near the baths (Thonon trip)

A lodging where the family stays during bad weather on the trip; depicted as the place where the narrator finds a volume of Cornelius Agrippa.

the town of Ingolstadt (with a high white steeple)

A visual landmark encountered upon approach to the city.

the narrator’s solitary apartment

A private lodging room in Ingolstadt where the narrator spends the evening alone.

M. Waldman’s lecturing room

A classroom/lecturing space where Waldman enters and delivers public lectures on chemistry.

M. Waldman’s laboratory

Waldman’s private laboratory containing various machines.

a house of mourning

The domestic space described as closely resembling death’s repose, where the family remains after the mother’s death.

a churchyard

A site of burial and decay, described as merely the receptacle of bodies deprived of life.

vaults and charnel-houses

Dark underground or storage spaces associated with death and decay used for anatomical observation.

the dissecting room

A room used for anatomical study by dissection.

the slaughter-house

Place where animals are killed and processed, used as a source of materials.

the fields

Countryside scenery described as beautiful during the narrator’s summer of work.

cemetery-like spaces / grave (implied)

A general reference to places associated with graves and the grave’s dampness.

the college / his college

The narrator’s academic setting in Ingolstadt where Henry and the narrator walk together afterward.

the stairs at the narrator’s lodging

The entry/walk-up area to the narrator’s apartment that the narrator uses to anticipate whether the creature remains.

the gates of the court

Gates belonging to the courtyard/compound where the narrator stays overnight; opened by the porter in the morning.

the church of Ingolstadt

A prominent church building with a white steeple and clock visible in morning light.

the window shutters

Shutters on the narrator’s room through which moonlight enters during the narrator’s night confrontation with the creature.

the environs of Ingolstadt

Outlying countryside around Ingolstadt used for perambulations and a pedestrian tour described as salubrious and scenic.

Plainpalais (south hill of Mont Salêve / Mont Salêve ascent)

A nearly perpendicular ascent of a hill bounding Plainpalais on the south, climbed by the creature during the storm.

Secheron

A village about half a league from Geneva where Victor must pass the night because the town gates are shut.

Lausanne

A city where Victor remains for two days in painful reflection before continuing toward Geneva.

Jura mountains

Mountain range visible around the region; referenced during storm echoes and in Victor’s travel view.

Belrive (promontory)

A promontory on the lake between which the storm is described as hovering.

Copêt

A village referenced as part of the storm region on the lake.

Salêve

A mountain whose presence is used to describe thunder echo during the storm.

Alps of Savoy

Mountain region where thunder is echoed during the storm.

the Môle

A peaked mountain to the east of the lake; sometimes disclosed during the storm.

Plainpalais vicinity with clump of trees

The immediate spot near trees where Victor sees the creature in the storm.

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